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Copenhagen Summer 2011 Fashion Week, Fashion Festival and the Fashionable Green Fashion Walk

Copenhagen Fashion Week LogoCopenhagen Fashion Week

COPENHAGEN FASHION WEEK
Copenhagen Fashion Week has during the past few years developed into a large and renowned event with an international scope. Copenhagen is twice a year dressed in fashion, focusing on the industry, the press and buyers, but parts of the fashion week is now available to fashion interested consumers.

Copenhagen Fashion Week Catwalk

Copenhagen Fashion Week Catwalk

COPENHAGEN FASHION FESTIVAL
Copenhagen Fashion Week presents Copenhagen Fashion Festival in cooperation with Wonderful Copenhagen and Copenhagen City Centre parallel to the fashion week. Copenhagen Fashion Festival invites everyone to fashion week, when large parts of Copenhagen is transformed into a fashion Mecca of trendshows, exhibitions, miniconcerts, streetparties, exclusive designer clearance sales and parties.
Copenhagen Fashion Week Festival Logo

Copenhagen Fashion Week Festival

The festival begins on Wednesday and this coming August you can join the activities from Wednesday, August 3 – Sunday, August 7, 2011.
Check out the online event  schedule and stay updated on all the different activities during Copenhagen Fashion Festival.
Click on the event in the schedule and you will find information on where and how to participate – so stay tuned!
We wish you a fashionable week!
Green Fashion Eco Initiative

Green Fashion Eco Initiative

THE GREEN WALK
Kermit the Frog once said it wasn’t easy being green. He obviously hadn’t seen our guide to Copenhagen’s best options for sustainable fashion shopping. Do the right thing and shop the ethically responsible way – from organic materials to the welfare of factory workers, Copenhagen Fashion Festival is putting the spotlight on shops, which carry at least one label with a sustainable profile.
Copenhagen Fashion Week Pink Longest Outside Catwalk

Copenhagen Fashion Week Pink Longest Outside Catwalk

HAPPY RESPONSIBLE SHOPPING!
“It has to be easier for the consumers to show consideration for the environment. We need the clothing stores to use the labels of environment. The Nordic Ecolabel is an excellent example of how stores and distributers implement environmental initiatives in their production and sale. At the same time I urge consumers to buy clothes which are labeled with either the Nordic Ecolabel or the European Ecolabel.
” Karen Ellemann, Minister of the Environment
Copenhagen Fashion Week Pink Longest Outside Catwalk

Copenhagen Fashion Week Pink Longest Outside Catwalk

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Fashion of Condoms and Candy Wrapper – Eco Fashion 2011

Trashion. If you’re green and fashionable, you’ve no doubt noticed it’s everywhere you look these days. And this “creative reuse” in fashion may have finally gone too far. It’s time to question, for the sake of eco fashion’s future viability, the plethora of “trash to treasure”initiatives touted as sustainable fashion genius.

It is time to do more with less, and this includes reducing our predilection for “trash to treasure” designs and stories that glorify less than marketable fashion.

The thing that concerns me as someone who also observes how trash is now utilized in eco-art and gallery installations is the message suggesting that we can increasingly find a tidy place for the trash in our lives. Creative reuse needs to move beyond the glorification of trashion and recycled art projects in order to address long term solutions for waste reduction and sustainable economic development. Our primary focus should be on managing this toxic bloom via critically important economic, environmental, and health initiatives.

For sure, timeless design has a transcendent and culturally revealing quality, particularly when it comes to the innovative reuse of materials and cast-off bits. Are we currently aiding or hindering the sustainable fashion movement if we do not make a distinction between designs that measure up as genuine fashion innovation and those that are clever, eye-catching creations that make “trashion” seem fashionable?

Junky Styling‘s recycled men’s suit coats: an empowering approach

Creative reuse projects can be large or small. In the case of fashion, several bold designer initiatives have genuinely overhauled the industry’s patterns of waste and excess via the resourceful recycling of textile surplus and unsold stock. Standout labels like From SomewhereJunky StylingGoodone, and Reet Aus, to name a few, effectively take yesterday’s unwanted goods and artfully re-shape them into tomorrow’s covetable items. This design strategy is genuinely empowering for the fashion lover who is investing in environmentally sound and fashion-forward design.

From Somewhere‘s upcycling of Speedo’s LZR Racer designs

The recent collaboration of From Somewhere with Speedo to create a capsule collection upcycled from unsold and obsolete Speedo LZR Racer designs might seem like an odd pairing to some. However, an industrial fabric challenge like this clearly demonstrates how unwanted waste can be transformed into eco-luxe couture.

Recycling should and must be an engaging activity, particularly when it comes to labor-intensive DIY projects. Some of the most rewarding fashion moments are definitely those where something useless or outdated takes on new life with imaginative tinkering and whimsy. As Kate Black of Magnifeco recently shared with us:

“When it comes to recycling, we have obviously been doing it for years, in all cultures. Textiles that can no longer be used as garments are incorporated into household items like quilts and pillows and now it’s not just recycled textiles making the news in eco-fashion: candy wrapper handbags, pull-tab accessories are front and center, too.  When recycling or upcycling in fashion falls short, though, I generally find that it is from a taste perspective, not necessarily a design perspective.”

I wholeheartedly support projects that provide fair-trade jobs to artisans who create one-of-a-kind accessories and art-objects out of dumpster and landfill pickings, so I am certainly not attacking these folks for the honest craft and handwork that they do.

Ecoist ‘Botero’ handbag crafted out of candywrappers

I do think, however, that we should exercise caution regarding what is an increasing inclination to sanitize and incorporate trash into art, fashion, and design projects for our own aesthetic amusement. Let’s not forget that this everyday refuse should not exist in the first place, at least not in the volume that we are now grappling with. We need to ensure that we do not become de-sensitized to just how out of control our garbage epidemic is. It is one thing to source from surplus textile stock, recycle trash in the waste stream, and get one’s hands dirty with some gritty DIY projects, but not at the expense of garbage becoming a part of our ongoing design lexicon, much less the focus of our attention.

Via Trendhunter: A condom hat may be great for ginning up clicks, but it’s bad for eco fashion progress.

‘Trash to treasure’ is a dangerous term, and one that might soon need to be upgraded or upcycled within the sustainable fashion glossary. Our long term efforts should continue to be focused on cradle-to-cradle design initiatives, zero-waste garment production, acknowledgment of indigenous technologies and crafts that actually aid specific regions, and sustainable economic development that improves the lives of people everywhere so that they can move beyond having to rely on garbage as a means of livelihood.

Chris Jordan photography

The ready-made object is a surrealist phenomenon. Fashion is about personal expression and the ability to be transported to new layers and states of being. Let’s not allow ourselves to get swept up by “quirky” design projects that demonstrate how clever we can be with Coke tabs, Barbie doll heads, condoms, or heaps of televisions and computer monitors, all in the name of recycling – but in reality only keep our movement one step further from legitimate entree into mainstream fashion or, worse, from being taken seriously by leaders in the fashion world.

‘Household goods’… deceased Estate by Claire Healey and Shaun Cordelro

This is not meant as an attack on the resourceful re-purposing of waste materials for home, fashion, and personal use. Recycling is definitely a significant part of the sustainable fashion story, but recycling without an ability to edit is doing us no good.

There is a time and a place for trashion and art of this nature, but we have a responsibility to shift away from scenes that mimic the dying “portraits of global mass culture” (a la work of photographer Chris Jordan) as we look to a greener future.

Lead image courtesy of Goodone; Household goods images via The Sydney Morning Herald.

Source: Ecosalon.com by 

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Levi’s using Instagram As A Marketing Tool

Photo-sharing application Instagram saw its userbase grow to one million in only three months. The service enables people to share their finest moments by letting them take a picture, choose a Hipstamatic-like filter to transform the look and feel, and share it with a small text and/or its geo-location on numerous social media, such as Facebook, Twitter and Foursquare. Recently Instagram has drawn considerable interest from a number of brands. Levi’s Brazil is one of the first to roll out a marketing campaign using the service.

The fashion brand takes fully advantage of Instagram’s unique features to display new products that will be released in the forthcoming collection, as well as images that represent the brand’s personality. Users can start following ‘levisbrasil’ in order to stay updated about the latest stuff, all in a purely visual way. I think Instagram’s photo filters totally breathe the Levi’s style. For the moment the campaign generated limited results — only 127 people started following Levi’s Brazil. Nevertheless, many predict a big future for Instagram as a marketing platform. Interestingly, Giles Fitzgerald from London-based communication agency Frukt claims that the service opens up new social media marketing opportunities for visually oriented brands.

“For fashion brands word dominated social media platforms such as Twitter can be a barrier to the more tactile and lifestyle-oriented element of their brands. Instagram with its ability to turn humble photos into works of art manages to blur the lines between a humble snap and the kind of imagery that dominates the advertising billboards and print ads.”

 

Original Source:  Popupcity.net by JEROEN BEEKMANS

 

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All About Fashion (Part 2) – Types of Fashion, Income in Fashion, Fashion Schools and more about Fashion

Types of fashion

The garments produced by clothing manufacturers fall into three main categories, although these may be split up into additional, more specific categories:

Vlada Roslyakova A model walks down the runway during the Christian Dior Haute Couture fashion show for A/W 2009/10 on July 6, 2009 in Paris, France.

Haute couture

Until the 1950s, fashion clothing was predominately designed and manufactured on a made-to-measure or haute couture basis (French for high-fashion), with each garment being created for a specific client. A couture garment is made to order for an individual customer, and is usually made from high-quality, expensive fabric, sewn with extreme attention to detail and finish, often using time-consuming, hand-executed techniques. Look and fit take priority over the cost of materials and the time it takes to make.

Ready-to-wear

Ready-to-wear clothes are a cross between haute couture and mass market. They are not made for individual customers, but great care is taken in the choice and cut of the fabric. Clothes are made in small quantities to guarantee exclusivity, so they are rather expensive. Ready-to-wear collections are usually presented by fashion houses each season during a period known as Fashion Week. This takes place on a city-wide basis and occurs twice a year.

Mass market

Currently the fashion industry relies more on mass market sales. The mass market caters for a wide range of customers, producing ready-to-wear clothes in large quantities and standard sizes. Inexpensive materials, creatively used, produce affordable fashion. Mass market designers generally adapt the trends set by the famous names in fashion. They often wait around a season to make sure a style is going to catch on before producing their own versions of the original look. In order to save money and time, they use cheaper fabrics and simpler production techniques which can easily be done by machine. The end product can therefore be sold much more cheaply.

There is a type of design called “kutch” design originated from the German word “kitschig” meaning “ugly” or “not aesthetically pleasing.” Kitsch can also refer to “wearing or displaying something that is therefore no longer in fashion.” Often, high-waisted trousers, associated with the 1980s, are considered a “kitsch” fashion statement.

Income

Median annual wages for salaried fashion designers were $61,160 in May 2008. The middle 50 percent earned between $42,150 and $87,120. The lowest 10 percent earned less than $32,150, and the highest 10 percent earned more than $124,780.. Median annual earnings were $52,860 (£28,340) in apparel, piece goods, and notions – the industry employing the largest numbers of fashion designers.

Fashion education

There are a number of well known art schools and design schools world wide that offer degrees in fashion design and fashion design technology. Some colleges also offer Masters of Fashion courses. Though it is not a requirement to have a Masters level, it is recommended by those already working in the industry to study at this level. The most notable of design schools in Europe include London College of FashionCentral Saint Martins College of Art and DesignUniversity of Westminster and Kingston University in LondonLimerick School of Art and Design and the National College of Art and Designin Ireland, Edinburgh College of Art in ScotlandIstituto MarangoniDomus AcademyPolitecnico of MilanNABA – Nuova Accademia di Belle Arti MilanoIstituto Europeo di DesignUniversity Iuav of Venice in Italy, the Fashion Federation PARIS] European Fashion Accreditationwww.Fashion-Board.com, Antwerp Fashion Academy in Belgium. There is Parsons The New School for DesignCreative Business HouseFashion Institute of Technology and the Pratt Institute in New York City. Elsewhere in the United States there is the Savannah College of Art and DesignVirginia Commonwealth UniversityFashion Institute of Design & Merchandising in Los AngelesSchool of the Art Institute of Chicago and Columbia College Chicago in Chicago. The National Institute of Fashion Technology in India, Shih Chien University in Hong Kong, RMIT University in Melbourne, Fu Jen Catholic University in Taiwan and the Asian University chain, Raffles College of Design and Commerce, all have reputable fashion design courses.

The only Ivy League University having a Fashion Design undergraduate program is Cornell University in Ithaca, NY. The program is offered by the department of Fiber Science & Apparel Design]. Cornell University also offers the only Ph.D. program in apparel design in the United States. The program is intended to address the needs of academia, industry and research by considering apparel design as an applied science that embraces design, technology, physical sciences, the humanities and social sciences in order to meet the human needs for clothing. There are many universities that offer fashion design throughout the United States. The major incorporating fashion design may have alternative names like Apparel and Textiles or Apparel and Textile Design and may be housed in departments such as Art and Art History or Family and Consumer Studies.

READ ALSO:

ALL ABOUT FASHION (PART 1) – FASHION DESIGN, STRUCTURE, HISTORY

ALL ABOUT FASHION (PART 2) – FASHION STAR SYSTEMS, WORLD FASHION AND THE GLOBAL FASHION INDUSTRY

Source: Wikipedia.com

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All About Fashion Design (Part 1) – Fashion Design, Fashion Structure and Fashion History

Fashion design

Fashion design is the art of the application of design and aesthetics or natural beauty to clothing and accessories. Fashion design is influenced by cultural and social lattitudes, and has varied over time and place. Fashion designers work in a number of ways in designing clothing and accessories. Some work alone or as part of a team. They attempt to satisfy consumer desire for aesthetically designed clothing; and, because of the time required to bring a garment onto the market, must at times anticipate changing consumer tastes.

Fashion designers attempt to design clothes which are functional as well as aesthetically pleasing. They must consider who is likely to wear a garment and the situations in which it will be worn. They have a wide range and combinations of materials to work with and a wide range of colors, patterns and styles to choose from. Though most clothing worn for everyday wear fall within a narrow range of conventional styles, unusual garments are usually sought for special occasions, such as evening wear or party dresses.

Some clothes are made specifically for an individual, as in the case of haute couture. Today, most clothing is designed for the mass market, especially casual and every-day wear.

Fashion designers can work in a number of ways. Fashion designers may work full-time for one fashion company, known as ‘in-house designers’ which owns the designs. They may work alone or as part of a team. Freelance designers work for themselves, selling their designs to fashion houses, directly to shops, or to clothing manufacturers. The garments bear the buyer’s label. Some fashion designers set up their own labels, under which their designs are marketed. Some fashion designers are self-employed and design for individual clients. Other high-fashion designers cater to specialty stores or high-fashion department stores. These designers create original garments, as well as those that follow established fashion trends. Most fashion designers, however, work for apparel manufacturers, creating designs of men’s, women’s, and children’s fashions for the mass market. Large designer brands which have a ‘name’ as their brand such as Calvin Klein, Gucci, or Chanel are likely to be designed by a team of individual designers under the direction of a designer director.

Structure

Designing a garment

Fashion designers work in different ways.Myriam Chalek, Owner of Creative Business House states it in Vogue Magazine: Each fashion designer is unique hence the uniqueness of the sample’s development. Nevertheless the mainstream is pretty similar: From a sketch to a sophisticated illustrated CAD design, fashion designers before using any fabric put their ideas on paper. It’s only once they have the concept of the wanted design that they will use fabric. Myriam Chalek explains that the first steps of the garment production are very important: once the designer is in sync with whats in his head and whats on paper, he will either create a muslin prototype of the sample and once satisfied he will have the pattern done and then the final sample. Or he will create a pattern and then work directly with the fabric to produce the sample. This second method is usually not recommended if the designer is going to modify the sample as it is being created in so far as the fabric can be wasted and the final sample not being the true representation of the original designer’s concept. The pattern production is the most crucial part of the garment’s production because job the fit of the finished garment/sample depends on the pattern’s accuracy. Samples have to be perfect because that’s what the fashion designer present to potential buyers.

History

Fashion design is generally considered to have started in the 19th century with Charles Frederick Worth who was the first designer to have his label sewn into the garments that he created. Before the former draper set up his maison couture (fashion house) in Paris, clothing design and creation was handled by largely anonymous seamstresses, and high fashion descended from that worn at royal courts. Worth’s success was such that he was able to dictate to his customers what they should wear, instead of following their lead as earlier dressmakers had done. The term couturier was in fact first created in order to describe him. While all articles of clothing from any time period are studied by academics as costume design, only clothing created after 1858 could be considered as fashion design.

It was during this period that many design houses began to hire artists to sketch or paint designs for garments. The images were shown to clients, which was much cheaper than producing an actual sample garment in the workroom. If the client liked their design, they ordered it and the resulting garment made money for the house. Thus, the tradition of designers sketching out garment designs instead of presenting completed garments on models to customers began as an economy.

READ ALSO:

ALL ABOUT FASHION (PART 2) – TYPES OF FASHION, INCOME, SCHOOLS

ALL ABOUT FASHION (PART 3) – FASHION STAR SYSTEMS, WORLD FASHION AND THE GLOBAL FASHION INDUSTRY

Source: Wikipedia.com

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Creating a Green Fashion Label

When consumers shop for groceries, they tend to review the nutrition label and ingredients list on the food package to obtain dietary information. This food label system helps people make an informed decision and lead healthier lifestyles. Shouldn’t consumers have resources for making similar choices when shopping for apparel products? According to the Textile Fiber Products Identification Act (TFPIA), all apparel products should have a label that includes: fiber content, country of origin, manufacturer identification, and care instructions.

 

However, the clothing label may not be informative enough to educate consumers regarding what processes were used to make the product and what environmental impacts those processes may have. One of the common myths consumers may believe regarding apparel products is that natural fiber products are more environmentally friendly than synthetic fiber products. Considering the fact that the textile and apparel industry is a major contributor to environmental degradation, it is important to provide more informative, easy-to-read labels for apparel products, responding to consumers’ growing concerns about environmental issues related to their consumable products.

From interviews with five apparel design personnel in two companies (although these opinions cannot represent all designers’ and merchandisers’ opinions), our research team found that they were aware of the environmental problems associated with dyeing and textile processing. However, interestingly, they did not regard themselves as responsible for correcting these problems.

They also indicated that the biggest determining factor for apparel designers and merchandisers when deciding where to obtain materials for production is the availability of materials from suppliers who have had a long–term relationship with the company. It seems that environmentally friendly materials were not their main concern. They added that if they were sure that their target consumers would be willing to purchase environmentally friendly products, they would practice sustainability. Without certainty, they did not want to take the risk because using green materials costs more. The industry personnel felt that there was nothing they could do as designers or merchandisers to address environmental issues, believing that environmentally friendly production was beyond their ability.

Do consumers agree with these opinions? To explore consumer opinions about green apparel products and purchasing behaviors, a serious of focus group discussions were conducted with 32 consumers. Although organic fibers and other green apparel options are already available in the market, participants demonstrated a lack of knowledge about these products. Interestingly, several respondents knew of organic clothing only in terms of simple items, such as T–shirts, while others did not even know that organic or green apparel was an available option.

In addition, the respondents agreed that if there were more information about green apparel products available, they would be more prone to buy them. They felt skeptical about current eco–claims because labeling of green apparel is voluntary and no general rules have been implemented for apparel product labeling. They added that current labels on green clothing did not offer an adequate amount of information to consumers. They were unsure of exactly what “environmentally friendly” meant and how the products they had seen were environmentally friendly. Additionally, most of the participants agreed that a well–established eco–label for apparel products would increase consumers’ knowledge of environmental impacts from apparel production and foster consumers’ green apparel purchasing behaviors.

Regarding willingness to buy green apparel products, they mentioned that they would be more likely to purchase green apparel products if they were cheaper and more readily available. Respondents indicated that they would not buy a less attractive environmentally friendly garment with the label attached to it over a more attractive conventional product. Therefore, before emphasizing green aspects, products should meet the quality expectations of consumers.

Based on these two investigations, the research team suggested that a labeling system could be used to reduce the information gap between producers and consumers. Green labels for textile and apparel products can facilitate choices for consumers making environmentally responsible purchasing decisions by motivating and/or educating them (D’Souza, et al., 2006).

As mentioned earlier, just as the nutritional facts and ingredients are listed on food packages, the apparel label can include customized information on how the content of a specific product and its production processes impact the environment. Our research team identified six sustainability aspects of apparel products as the key information that would be beneficial for consumers to know from the green apparel label: organic, biodegradable, safely dyed, fair trade, carbon footprint, and recycled. Creating eye–catching symbols accompanied by brief explanations for clarification, which convey the key aspects of sustainability within the apparel industry, will be necessary. This design will make the labels easy to read and serve as a convenient reference for consumers.

If the standardized and easy–to–read label is commonly used in the textile and apparel industry in the future, it will educate consumers about green products and their effects on our surrounding environment. By becoming more knowledgeable about green products, consumers will be able to make more informed purchases of environmentally responsible products. In addition, educated consumers will drive businesses to practice more sustainability. Adopting the easy–to–read, informative green label will help retailers promote their eco–friendly strategies. As people continue to show interest in green products through purchases, the availability of various green products will increase, resulting in growing diversity in the retailing industry.

This educational research brief is from the University of Delaware (Fiber Online Journal).
Creating a Green Label for Reducing the Gap

Authors:
Dr. Hae Jin Gam is an assistant professor in the Department of Family and Consumer Sciences at Illinois State University. She was a fashion designer in South Korea until 2001. Her doctoral research was in the area of sustainable apparel design and production development and was funded by the Environmental Protection Agency. Her current research interests include sustainability in the apparel and textile industry, apparel product development, consumers’ eco–friendly purchasing behavior, and the scholarship of teaching and learning.

Dr. Yoon Jin Ma is an assistant professor in the Department of Family and Consumer Sciences at Illinois State University. Her research interests include social responsibility in apparel consumption, manufacturing, and retailing; consumer behavior; services marketing; and scale development. She received the Student Best Paper Award at the doctoral level from the International Textile and Apparel Association (ITAA) in 2008, the Best Track Paper Award in the textile and apparel/international track from ITAA in 2009, and the Paper of Distinction Award in the consumer behavior track from ITAA in 2010

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Face-to-Face Networking

CONNECTING AT NETWORKING EVENTS

PREPARATIONS:

  • If possible, make one or two connections before the event and arrange to meet at the event.
  • Go to the event alone! Don’t hang out with friends or people you already know.
  • Set a goal before the event, for example, I will connect with six new people tonight. A goal should not be to see how many business cards you can collect.
  • Dress appropriately for the occasion.
  • Pick up a nametag. Put your career/job goal on your resume as well as your name.
  • Keep one hand free to allow yourself to shake hands with people without juggling drink, food, or other items.
  • Be prepared to offer help as well as receive. Be ready to tell others what you can do for them, and then follow up and do it.
  • Bring business cards and a pen in a pocket or easily accessible. You can create virtually free business cards from various internet sites. When you give someone your card, personalize it! for example, handwrite your cellphone number on it. write notes on the back of business cards you collect about the contact.

Making the Connection

  • Initiate a conversation with someone who is standing alone.
  • Have a few great conversation starters. Compliments work well! Have a one-liner to use when joining a group.
  • Don’t barge into a larger group. Ease in, make eye contact and gradually join the conversation.
  • When you introduce yourself, include what you do and why you are attending the event (what you are looking for). Be concise. Ask follow up questions about to information shared with you.
  • Be well-prepared to answer “What do you do?” with a concise, positive response. For example, respond that you are in transition and seeking a great new opportunity in the (your career) field.
  • During a conversation with a new contact, use the other person’s name two or three times. Ask them questions. Make good eye contact. Listen carefully to what they have to say.
  • Have a few good questions you could ask anyone in the room to jump-start a conversation that has gone dead.
  • Politely excuse yourself when leaving a conversation.
  • Know when to stop talking!

Follow Up

  • Send follow-up e-mails within 48 hours, preferably the day after the event.
  • Organize collected business cards. Add date and where you met the contact on each, along with notes about any special interests as an additional reason to keep in touch.

IMPROMPTU NETWORKING

You never know whom you’re going to run into on the bus, the train, at a party, or other unexpected setting. Suddenly you find yourself speaking to an expert in your desired career field, or the head of the most prestigious employer in industry.

How do you introduce yourself? What do you tell him/her about yourself? What kind of questions do you ask?

The best tactic is to be well-prepared in advance! Prepare and practice a short summary of who you are, what you would like to do in the future, and the type of help that you need to get you there:

I’ll be graduating from Loyola University Chicago this spring with my degree in English. I’d ultimately like to use my technical writing skills in trade magazines, particularly relating to the travel industry. I would really appreciate any advice you can give me. Would you consider setting up a short appointment for an informational interview to help me explore my career goals?


PROFESSIONAL ASSOCIATION CONFERENCE & MEETINGS

Join a local professional association and volunteer to work at one of their conferences or meetings. Many associations have special student memberships.

VOLUNTEER ACTIVITIES

Volunteer activities bring you in direct connection with people in your chosen career, particularly in the nonprofit industry.


Source: luc.edu

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